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Samaritan woman at the well painting

Jesus holds a conversation with a Samaritan woman, which is doubly astonishing to his disciples. For the Samaritans were not considered real Jews but strangers in their own country. And Jesus was talking to a woman, discussing and arguing with her, which is also unusual when one takes into respect that only men were taught in the Temple. As always, John gives account of this with numerous details and he takes his time in his tale. By that style, John differs from the other Evangelists. Matthew, Mark and Luke only explain the essence of an encounter of Jesus.

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Samaritan woman at the well

The meeting between Christ and the woman of Samaria at the well is only recounted in the Gospel of Saint John. Christ, travelling to Galilee, reached the Samarian city of Sychar. While the disciples went ahead into the city to buy food, Christ sat down to rest by a fountain. A woman approached the well to draw water and Christ requested water to drink. Surprised, the woman questioned why a Jew was asking her for water, given that Samaritans and Jews had no dealings with each other.

The woman, who had had five husbands and lived with a man as Christ knew , began a dialogue with him that astonished the disciples when they returned to the city, as it was not the custom to speak to unknown women. This episode, which takes place by a well and in which the water of baptism is discussed, has been seen to symbolise the conversion of gentiles by the Word, among other concepts. The identification of the present canvas in this document was suggested by Carlo Volpe in a letter and published for the first time by Gertrude Borghero in the catalogues of the Collection.

The present painting has been identified as the one described in entry in the account book, which was painted for Giuseppe Baroni of Lucca and for which Baroni paid ducats. Baroni paid in two instalments, firstly 30 ducats on 22 March , then 70 ducats on 14 November of the same year. In both cases he used the same intermediary, Lorenzo Paoli. Another painting on this subject appears in the account book as entry number It belonged to the Abbot Bentivoglio and also cost ducats.

This is the version now in the National Gallery of Canada, Ottawa, which was paid for on 29 May The third work on the subject of the Samaritan woman recorded in the account book was painted for Girolamo Panesi and has been identified as the oil in the collection of the Banco di San Geminiano e San Prospero in Modena.

The two figures, depicted half-length and in the foreground, are positioned around the well-head at which the Samaritan woman has arrived with her pitcher. The encounter takes place on the outskirts of the city and is set in a tranquil landscape in which the sky is given considerable importance, with its horizontal banks of broken clouds.

In this balanced, classicising composition Guercino paid considerable attention to secondary details such as the pitcher, the rope of the well, the hook and the stones of the well-head, all of which are finely painted. The figures are highly idealised, and the figure of the Samaritan woman appears in other compositions by the artist, among them the figure of the Virgin in a painting in the church of San Martino in Senigallia.

The painting entered the Thyssen-Bornemisza collection in from that of the Marquis dal Pozzo in Milan. Mar Borobia. For commercial uses including publications and advertising, requests must be addressed to Scala Archives Image Library, exclusive agent of the Museum for worldwide distribution of its images and for the management of its rights of reproduction. Il Guercino Giovanni Francesco Barbieri.

Full size image Download image View in virtual tour Print page. Share on. Bernardo Cavallino. Giovanni Francesco Romanelli. Pier Francesco Mola. Siglo XVII s. Christ and the Woman of Samaria at the Well.

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Christ and the Samaritan Woman

Giulio Campagnola Italian, c. Giulio Campagnola invented stipple engraving, a method of using the point of the burin a tool with diamond-shaped steel shaft to make numerous small flecks in the metal plate, creating gradated tones instead of the more common linework. This print may be after a composition, now lost, by Giorgione or Titian, both of whom were from Venice where Campagnola worked. It illustrates a story from the Gospel of John when Christ meets a woman by a well and asks her for a drink of water before revealing to her that he is the Messiah. Jay A.

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Jesus came to the Samaritan town called Sychar, near the land that Jacob gave to his son Joseph. It was about the sixth hour. You are a Jew and you ask me, a Samaritan, for a drink? Jesus replied:. Are you a greater man than our father Jacob who gave us this well and drank from it himself with his sons and his cattle?

Woman At The Well Painting

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Rembrandt and pupil — Christ and the Samaritan woman at the well

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The meeting between Christ and the woman of Samaria at the well is only recounted in the Gospel of Saint John. Christ, travelling to Galilee, reached the Samarian city of Sychar.

The Samaritan woman at the well is a figure from the Gospel of John , in John — The woman appears in John 4 :4—42, However below is John — But he had to go through Samaria. So he came to a Samaritan city called Sychar , near the plot of ground that Jacob had given to his son Joseph.

Museum of Fine Arts

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From Wikimedia Commons, the free media repository. Subcategories This category has the following 5 subcategories, out of 5 total. Media in category "Paintings of Jesus and the Samaritan woman at the well" The following files are in this category, out of total. Jan de Herdt - Jesus and the Samaritan woman at the well. Maratta Christ and the Samaritan woman. Orley Christ and the Samaritan woman.

Woman At The Well Painting

This image is available for download, without charge, under the Getty's Open Content Program. Open Content images tend to be large in file-size. To avoid potential data charges from your carrier, we recommend making sure your device is connected to a Wi-Fi network before downloading. Not on view due to temporary Getty closure. Alessandro Magnasco Italian, - When Christ paused to rest at Jacob's Well, a holy site for both Samaritans and Jews, he requested a drink of water from a Samaritan woman.

This New Testament painting is Bloemaert's third extant version of the subject. from Samaria, who pauses in her chore of drawing water from the well of Jacob. the Samaritans as a heretical group, but Jesus does not reject the woman.

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Christ and the Samaritan Woman

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Christ and the Samaritan Woman

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